Daniel Rourke /stream

• Furtherfield Contributions Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 3:12am | Comments

• Tumblr Excited and privileged to be in this show, opening tomorrow (May...

  May 22 2013, 5:14pm | Comments

• Portfolio The Impulse of the Geocities Archive: One Terabyte Of Kilobyte Age

  May 17 2013, 4:16am | Comments

• Furtherfield Contributions The Impulse of the Geocities Archive: One Terabyte Of Kilobyte Age

  May 17 2013, 3:16am | Comments

• Metafilter Ask MeFi: Seeking documentaries about digital art I am looking for some good documentaries about digital art. What do you recommend? Biographical movies about artists that make art with PhotoShop would be great. Movies about the history of CGI would be fascinating. Documentaries about art made for the internet could…

  May 12 2013, 4:17pm | Comments

• Portfolio Datamoshing the Land of Ooo: An Interview with David OReilly

  April 25 2013, 5:00am | Comments

• Rhizome Contributions Datamoshing the Land of Ooo

  April 25 2013, 4:00am | Comments

• Rhizome Contributions Artist Profile: Alex Myers

  April 3 2013, 9:28am | Comments

• Bookmark A disjointed conversation – Claire Bishop, The Digital Divide, and the State…

  I found Claire Bishop’s landmark essay on Digital Art, ‘The Digital Divide’ in Artforum’s 50th Anniversary issue three months late through Lauren Cornell and Brian Droitcour’s equally polemic response, ‘Technical Difficulties’…

  January 16 2013, 2:41am | Comments

• Bookmark artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  January 14 2013, 5:29pm | Comments

• Bookmark How art history is failing at the Internet

  Keeping up with the pace of change in the digital world is challenging, and harnessing its potential can be frustrating. But the biggest mistake many of us in the arts and…

  December 31 2012, 7:01am | Comments

• Bookmark Matthew Fuller » Giffed Economy

  Why look at animated GIFs now? They are one of the first forms of image native to computer networks making them charmingly passé, a characteristic that gives them contradictory longevity. Animated…

  December 31 2012, 6:59am | Comments

• Twitter Favourites

  Software archaeology of the GIF by Matthew Fuller

  November 18 2012, 11:25pm | Comments

• YouTube

  November 8 2012, 6:44am | Comments

• Portfolio Abject Materialities: An Ontology of Everything on the Face of the Earth

  October 19 2012, 6:36am | Comments

• Twitter Favourites

  Errormancy: Glitch as Divination – A New Essay by Kim Cascone

  September 29 2012, 4:14am | Comments

• GLTI.CH Karaoke GLTI.CH Featured on DRadio Wissen

  As originally featured on the DRadio Wissen site (here is a terrible Google translation for your pleasure): Never were beautiful mistake An error in the digital image processing in a computer game in the transmission of live streams – which can be very annoying. Glitching…

  September 11 2012, 3:04pm | Comments

• Bookmark My response to Claire Bishop’s article “Digital Divide” « MEDIA, NEW MEDIA,…

  This is my response to Claire Bishop‘s essay “Digital Divide“, published in Artforum in September 2012 (also posted in the comments section of the article): Reading this article was a pleasure,…

  September 8 2012, 7:01am | Comments

• Bookmark Making the Digital Divide Cheap and Nasty. | http://www.furtherfield.org

  So ArtForum have launched a special September issue investigating the, lets say broader, relationship between new media, technology and visual art.* Of worthy mention is the essay Digital Divide by the…

  September 8 2012, 6:57am | Comments

• Twitter Favourites

  Do Artists Actually Confront Our New Technological Reality?

  September 8 2012, 6:07am | Comments

• Bookmark digital divide: contemporary art and new media - artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  September 4 2012, 6:17am | Comments

• Bookmark Why contemporary art fails to come to grips with digital. A response…

  This month, Art Forum published a very timely, and beautifully written essay by Claire Bishop entitled, Digital Divide: on contemporary Art and New Media“. In it, Bishop analyses the contemporary art-world’s…

  September 4 2012, 5:30am | Comments

• Portfolio Kipple and Things II: The Subject of Digital Detritus

  August 25 2012, 10:00am | Comments

• Bookmark DIGITAL FORM DISCUSSION

  To what extent do the material components (e.g. hardware, source code, network protocols) and properties (e.g. speed, malleability, erasability) of digital technology influence the methodologies one might employ to study it?…

  July 11 2012, 6:37am | Comments

• Twitter

  Following this suggestion we only permit digital computers to take part in our game.

  June 25 2012, 4:10am | Comments

• Portfolio Rigid Implementation vs Flexible Materiality

  June 7 2012, 6:08am | Comments

• Bookmark Machines and memory

  Kernel on machines and memory, with some nice examples of apps that are exploring our changing relationship with both. We are all digital archaeologists now, writes Robert Carroll. But in a…

  June 2 2012, 9:33am | Comments

• Bookmark Are there "fakes" in digital art?

  The History of Art is filled with forgeries, but are there fakes in digital art fields made from creative cut-and-pastes, collaborative works and infinite works? We approached four people who, pondering…

  May 23 2012, 9:37am | Comments

• Bookmark The Web Browser As Aesthetic Framework: Why Digital Art Today Looks Different

  Collective cultural memory is the foundation on which the significance of a creative practice stands. As summarized in Emerson Rosenthal’s post for #DIGART week, online collections and exhibition spaces have been…

  May 8 2012, 2:14pm | Comments

• Bookmark Jonathan Lethem on our rapidly dematerializing culture

  The Ecstasy of Influence, now the title of his recent collection of writings, often addresses the process of integrating and "cobbling together" ideas and culture to make something new. Yet, stories…

  April 26 2012, 12:43pm | Comments

• Bookmark What Is the "New Aesthetic"?

  The New Aesthetic is now subject to discussion and critique on a number of forums, blogs, twitter threads, and so forth (for a list, see bibliography on Berry 2012a, but also…

  April 19 2012, 1:21am | Comments

• Twitter Favourites

  Tumblr ❤ GIFs

  April 14 2012, 8:37am | Comments

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• Furtherfield Contributions Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 3:12am | Comments

• Tumblr Excited and privileged to be in this show, opening tomorrow (May...

  May 22 2013, 5:14pm | Comments

• Portfolio The Impulse of the Geocities Archive: One Terabyte Of Kilobyte Age

  May 17 2013, 4:16am | Comments

• Furtherfield Contributions The Impulse of the Geocities Archive: One Terabyte Of Kilobyte Age

  May 17 2013, 3:16am | Comments

• Metafilter Ask MeFi: Seeking documentaries about digital art I am looking for some good documentaries about digital art. What do you recommend? Biographical movies about artists that make art with PhotoShop would be great. Movies about the history of CGI would be fascinating. Documentaries about art made for the internet could…

  May 12 2013, 4:17pm | Comments

• Portfolio Datamoshing the Land of Ooo: An Interview with David OReilly

  April 25 2013, 5:00am | Comments

• Rhizome Contributions Datamoshing the Land of Ooo

  April 25 2013, 4:00am | Comments

• Rhizome Contributions Artist Profile: Alex Myers

  April 3 2013, 9:28am | Comments

• Bookmark A disjointed conversation – Claire Bishop, The Digital Divide, and the State…

  I found Claire Bishop’s landmark essay on Digital Art, ‘The Digital Divide’ in Artforum’s 50th Anniversary issue three months late through Lauren Cornell and Brian Droitcour’s equally polemic response, ‘Technical Difficulties’…

  January 16 2013, 2:41am | Comments

• Bookmark artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  January 14 2013, 5:29pm | Comments

• Bookmark How art history is failing at the Internet

  Keeping up with the pace of change in the digital world is challenging, and harnessing its potential can be frustrating. But the biggest mistake many of us in the arts and…

  December 31 2012, 7:01am | Comments

• Bookmark Matthew Fuller » Giffed Economy

  Why look at animated GIFs now? They are one of the first forms of image native to computer networks making them charmingly passé, a characteristic that gives them contradictory longevity. Animated…

  December 31 2012, 6:59am | Comments

• Twitter Favourites

  Software archaeology of the GIF by Matthew Fuller

  November 18 2012, 11:25pm | Comments

• YouTube

  November 8 2012, 6:44am | Comments

• Portfolio Abject Materialities: An Ontology of Everything on the Face of the Earth

  October 19 2012, 6:36am | Comments

• Twitter Favourites

  Errormancy: Glitch as Divination – A New Essay by Kim Cascone

  September 29 2012, 4:14am | Comments

• GLTI.CH Karaoke GLTI.CH Featured on DRadio Wissen

  As originally featured on the DRadio Wissen site (here is a terrible Google translation for your pleasure): Never were beautiful mistake An error in the digital image processing in a computer game in the transmission of live streams – which can be very annoying. Glitching…

  September 11 2012, 3:04pm | Comments

• Bookmark My response to Claire Bishop’s article “Digital Divide” « MEDIA, NEW MEDIA,…

  This is my response to Claire Bishop‘s essay “Digital Divide“, published in Artforum in September 2012 (also posted in the comments section of the article): Reading this article was a pleasure,…

  September 8 2012, 7:01am | Comments

• Bookmark Making the Digital Divide Cheap and Nasty. | http://www.furtherfield.org

  So ArtForum have launched a special September issue investigating the, lets say broader, relationship between new media, technology and visual art.* Of worthy mention is the essay Digital Divide by the…

  September 8 2012, 6:57am | Comments

• Twitter Favourites

  Do Artists Actually Confront Our New Technological Reality?

  September 8 2012, 6:07am | Comments

• Bookmark digital divide: contemporary art and new media - artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  September 4 2012, 6:17am | Comments

• Bookmark Why contemporary art fails to come to grips with digital. A response…

  This month, Art Forum published a very timely, and beautifully written essay by Claire Bishop entitled, Digital Divide: on contemporary Art and New Media“. In it, Bishop analyses the contemporary art-world’s…

  September 4 2012, 5:30am | Comments

• Portfolio Kipple and Things II: The Subject of Digital Detritus

  August 25 2012, 10:00am | Comments

• Bookmark DIGITAL FORM DISCUSSION

  To what extent do the material components (e.g. hardware, source code, network protocols) and properties (e.g. speed, malleability, erasability) of digital technology influence the methodologies one might employ to study it?…

  July 11 2012, 6:37am | Comments

• Twitter

  Following this suggestion we only permit digital computers to take part in our game.

  June 25 2012, 4:10am | Comments

• Portfolio Rigid Implementation vs Flexible Materiality

  June 7 2012, 6:08am | Comments

• Bookmark Machines and memory

  Kernel on machines and memory, with some nice examples of apps that are exploring our changing relationship with both. We are all digital archaeologists now, writes Robert Carroll. But in a…

  June 2 2012, 9:33am | Comments

• Bookmark Are there "fakes" in digital art?

  The History of Art is filled with forgeries, but are there fakes in digital art fields made from creative cut-and-pastes, collaborative works and infinite works? We approached four people who, pondering…

  May 23 2012, 9:37am | Comments

• Bookmark The Web Browser As Aesthetic Framework: Why Digital Art Today Looks Different

  Collective cultural memory is the foundation on which the significance of a creative practice stands. As summarized in Emerson Rosenthal’s post for #DIGART week, online collections and exhibition spaces have been…

  May 8 2012, 2:14pm | Comments

• Bookmark Jonathan Lethem on our rapidly dematerializing culture

  The Ecstasy of Influence, now the title of his recent collection of writings, often addresses the process of integrating and "cobbling together" ideas and culture to make something new. Yet, stories…

  April 26 2012, 12:43pm | Comments

• Bookmark What Is the "New Aesthetic"?

  The New Aesthetic is now subject to discussion and critique on a number of forums, blogs, twitter threads, and so forth (for a list, see bibliography on Berry 2012a, but also…

  April 19 2012, 1:21am | Comments

• Twitter Favourites

  Tumblr ❤ GIFs

  April 14 2012, 8:37am | Comments

Page: 1 2 3 4 5 6